Shri Hevajra Nine Deity Mandala (Tibetan: pal gye pa dor jei lha gui kyil khor) according to the Lamdre system of the mahasiddha Virupa. Bibliographic reference: Hevajra Tantraraja Nama. See an explanation of the Hevajra Mandala Elements.

Sanskrit: Hevajra Tibetan: Gye pa dor je

Within the center of the two dimensional circular diagram (mandala) representing the top view of a three dimensional celestial palace and surroundings is the deity Shri Hevajra and consort with eight attendant goddesses.

Along the top register starting at the left are the lineage of teachers beginning with Vajradhara, Nairatmya, Virupa, Kanha, Damarupa, Avadhutipa, Gayadhara, Drogmi Lotsawa, Seton Kunrig, Shangton Chobar, Sachen Kunga Nyingpo, Sonam Tsemo, Dragpa Gyaltsen, Sakya Pandita, Chogyal Pagpa, etc.

At the bottom left is a donor figure with attendants. At the bottom right are the principal protectors of the Sakya Tradition, Panjara Mahakala, Brahmarupa Mahakala and Shri Devi.

Back of Painting:
Mantra (Skt.): a series of sounds believed to embody the nature of a deity. The three doors of action are the body, voice and mind. It is through the actions of these three that good actions and bad actions are believed to be produced. Mantra recitation forms part of the daily practice of Tantric Buddhists. The most well know mantra is that of the deity Avalokiteshvara and his mantra om mani padme hum, an epithet of the deity meaning jewelled lotus. Written mantra are commonly found on the reverse of a painting placed there as a record of the painting having had a brief or lengthy sanctification blessing or ritual (Tib.: rabne). This painting of Hevajra has elaborated circles of mantra written on the back.

Jeff Watt 5-2005