Eternal
Presence:
Handprints and Footprints in Buddhist Art
Examines the visual manifestations and devotional contexts
of handprints and footprints in Buddhist art and culture,
primarily Tibetan.
Dates: October 17, 2004 –
January 9, 2005
Venue: Katonah Museum of Art,
Route 22 at Jay Street Katonah, New York, USA
To travel:
Honolulu Academy of Art, Hawaii
February to June 2005
Rubin Museum of Art, New York City
June 4, 2005 to September 4, 2005
San Antonio Museum of Art, Texas
September to November 2005. |
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Rubin
Museum of Art
New York's newest museum, opened October 2, 2004 offers visitors
an opportunity to explore the rich artistic heritage of the
Himalayas and surrounding regions. |
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Female
Buddhas:
Women of Enlightenment in Himalayan Art
As an intrinsic part of life, gender identity is a powerful
tool for exploration of the divine in the visual culture of
the Himalayas. The pantheons of the major religions of the region—Buddhism,
Hinduism, and Bon—abound with Buddhas, goddesses, and
meditational deities whose divinity is framed as distinctly
feminine.
Date: June 4, 2005 - January 15,
2006
Venue: 6th Floor |
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Eternal
Presence:
Handprints and Footprints in Buddhist Art
Examines the visual manifestations and devotional contexts of
handprints and footprints in Buddhist art and culture, primarily
Tibetan.
Date: June 11, 2005 - September
4, 2005 Venue:
5th Floor |
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Tibet:
Treasures from the Roof of the World
Rare treasures, borrowed from three of Tibet's foremost cultural
institutions, features woven silk and appliqué textiles,
paintings, sculpture, ritual objects, garments and books.
Date: February 19 through May 8,
2005 Venue: 5th and 6th Floors |
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Methods
of Transcendence
Imagery embodying the most profound insights of Himalayan
thought are graphically symbolized through imaginatively formed
human figures and mandalas.
Date: October 2, 2004 - January
10, 2005
Venue: 6th Floor |
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Portraits
of Transmission
The transmission of culture, art and the religions of the Himalayas
and Tibet are represented through poets, statesmen, doctors,
philosophers, religious figures and kings. Date:
October 2, 2004 - January 10, 2005 Venue:
5th Floor |
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Demonic
Divine: Himalayan Art and Beyond
These ferocious deities are often benign agents and protectors.
The exhibition probes this paradox in Himalayan art: how compassion
can often take on a fierce form. Date:
October 2, 2004 - Spring 2005 Venue:
4th Floor |
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Perfected
Beings, Pure Realms
A variety of idealized human forms set in lush landscaped surroundings
filled with flowers, light, and opulence symbolize the human
aspiration for abundance and well-being. Date:
October 2, 2004 - Spring 2005 Venue:
3rd Floor |
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Sacred
History: Portraits and Stories
Drawn from times before history, the art of the Himalayas is
based on sacred traditions of the Buddhist, Bon and Hindu religions.
These are made manifest as idealized portraits and stories of
founders and their followers. Date:
October 2, 2004 - Spring 2005 Venue:
2nd Floor |
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Salvation:
Images of the Buddhist Deity of Compassion
Explores the widespread importance of the Buddhist deity Avalokiteshvara—also
known as Guanyin, Kwanum, and Kannon—across Buddhist Asia.
Avalokiteshvara, the primary source of Buddhist salvation, was the
subject of extraordinary works of devotional art in various forms
across many cultures. Spanning 1,500 years, these works represent
the finest creative achievements of India, Central Asia, China,
Korea, Japan, and Tibet.
Dates: August 14, 2003 – July
5, 2004
Venue: Los Angeles County Museum of Art, 5905 Wilshire Boulevard,
Los Angeles, California, USA |
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Seeing
Lhasa
Rare photos, early film & previously unseen paintings reveal British
perceptions of a pre-Cultural Revolution Tibet. Dates:
September 7, 2003 - November 2004 Venue:
Pitt Rivers Museum, South Parks Road, Oxford OX1 3PP, UK |
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Tibet:
Treasures from the Roof of the World
More than 200 examples—all with close associations with the
Dalai Lamas and Tibetan nobility—demonstrate the amazing sophistication
of art created for the most important leaders of this great world
culture.
Dates: October 12, 2003 - May
16 2004
Venue: The Bowers Museum of Cultural
Art, 2002 North Main Street, Santa Ana, California, USA
To travel:
The Houston Museum of Natural Science in Houston, Texas
October 16, 2004 - January 8, 2005
The Rubin Museum of Art in New York City
February 8, 2005 - May 8, 2005
Asian Art Museum of San Francisco
June 12, 2005 - September 11, 2005
Other cities may be added to the tour. |
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Himalayas:
An Aesthetic Adventure
Based on an exhibition first seen at the Art Institute of Chicago—features
163 Buddhist, Hindu and Bon paintings and sculptures created between
the 7th and the 19th centuries. Dates:
October 18, 2003 - January 11, 2004 Venue:
Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C.,
USA |
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Masterworks
of Newar Art
Features some of the finest Nepalese Buddhist paintings of the 20th
century from the collection of Robert Beer. Dates:
November 21, 2003 - March 2004 Venue:
Tibet House, 22 West 15th Street New York, New York, USA |
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Guardians
of the Laws: Chinese Luohan Paintings
Originating in India, the concept of "Luohan"—enlightened
beings exempted by the great Buddha from the cycle of rebirth in order
to act as guardians of the law—became a part of Buddhist cultic
worship in China, where a small number of monks who were considered
to have realized enlightenment, were selected to be luohans.
Arranged in chronological order, this exhibition presents 22, late
12th to 18th century works as well as an 8th century T'ang ewer and
describes major trends in the evolution of luohan paintings as executed
by both regional or court professionals and followers of literati
traditions. The exhibition also includes a discussion of current scholarship
about the Eighteen Luohans. Four related album leaves and three works
of calligraphy are on view in the adjacent East Corridor.
Dates: December 2, 2003 — May 23,
2004 Venue: Freer Gallery of
Art, Smithsonian Institution,
Washington D.C., U.S.A. |
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The
Flying Mystics of Tibetan Buddhism
This truly unique exhibition features Tibetan art which depicts the
literary and oral legacy of levitation and flight among Tibetan mystics.
Dates: January 25, 2004 - August
8, 2004 Venue: Oglethorpe University
Museum of Art
4484 Peachtree Road, N.E. , Atlanta, Georgia, USA |
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The
Circle of Bliss: Buddhist Meditational Art
Showcases 150 masterworks from public and private collections from
around the world, including 40 museums. Dates:
Feb 6, 2004 – May 9, 2004 Venue:
Columbus Museum of Art, The Ohio State University, 304 Mershon Auditorium,
1871 North High Street, Columbus, Ohio, USA |
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Visual
Prayers
Sacred Tibetan Buddhist Tangka Paintings Dates:
February 26, 2004 - April 3, 2004 Venue:
St. Lawrence University, Canton, New York, USA |
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A Wrathful Deity
Examines the ferocious appearance of the great wrathful and semi-wrathful
deities, their symbolic gestures and implements, displaying their
power to tame destructive forces. Dates:
March 22, 2004 – August 22, 2004 Venue:
Asia Society and Museum, 725 Park Avenue at 70th Street New York,
New York, USA |
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Works
of Siberian Sculptor Dashi Namdakov
Unique and exotic sculptures of horsemen, warriors, shamans and Buddhist
lamas reflecting ancient Siberian and Central Asian cultures -- but
with traces of Indian, Iranian, African and American influences.
Dates: Opening in April 2004
Venue: TIBET HOUSE U.S. 22 West
15th Street New York, New York, USA |
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Paradise and Plumage:
Chinese Connections in Tibetan Arhat Painting.
Beginning in the 14th century, there were regular exchanges between
China and Tibet of painting traditions and motifs. The exhibit illustrates
this artistic interchange by juxtaposing paintings and objects from
China and Tibet of the fourteenth through eighteenth century.
Dates: September, 2004 - December, 2004
Venue: The Tang Teaching Museum and
Art Gallery, at Skidmore College, Saratoga Springs, NY
To travel:
The Rubin Museum of Art
150 West 17th Street, New York, New York, USA
January 2005 |
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