Shri Shmashana Adhipati Masterworks
- Art History
- Religious Context
- Dancing Skeletons
- Skeleton Deities: Part 2
Shri Shmashana Adhipati, as a couple, are enlightened deities categorized as 'Wisdom protectors.' They are emanations of Chakrasamvara and related to the Chakrasamvara and Vajrayogini cycles of tantra. The teachings, rituals and instructions for creating a painting are found in the text known as the Glorious Lords of the Cemetery Secret Mind Wheel Tantra (Shri Shmashana Adhipati Guhya Chitta Chakra Tantra) in eight chapters.
- Sakya (Examples)
- Gelug (Examples)
- Nyingma/Revealed Treasure (HAR #15171, #53552944)
- Retinue Figures (HAR #517, #2424)
2. Dance Figures:
- Cham Dance (Sakya)
3. Cemetery Figures (generic, non-specific)
It is important not to confuse the deity, Father & Mother, with the skeleton dancers found in the various systems of Tibetan religious Cham dance. Those skeleton dancers, sometimes categorized as having three types, are unrelated to the protector deity. The skeleton figures, representing worldly spirits, in Tibetan dance are often seen as jesters or servants for other minor worldly gods such as Yama. These Cham dancing skeletons, like the other characters found in dance such as the deer and yak headed servants of Yama, are generally only found in narrative vignettes if found at all in Tibetan paintings. The most common dance represented in painting is generally known descriptively as the Black Hat Dance, and specifically understood to be the Vajrakilaya Cham dance. There will of course be images or random skeletons found in wrathful deity paintings or in the many depictions of the charnal grounds where the relevant Sanskrit and Tibetan texts explicitly state that skeletons are found in cemeteries.
A survey of Vajrayogini paintings in the database finds 16 examples where Shmashana Adhipati is depicted in the composition as a protector.
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Jeff Watt 4-2004 [updated 4-2017, 12-2019]