Footprints & Handprints Masterworks
- Art History
- Religious Context
- Handprints & Footprints: Part 1
- Handprints & Footprints: Part 2
- Drogdze Wangmo: HAR 65925
- Shingkyong Ragyal: HAR 712
The Tibetan custom of having drawings done based on the physical outline of a teachers feet appears to be an oral instruction coming down from Gampopa Sonam Rinchen. The most famous early text describing this practice was written by Pagmodrupa Dorje Gyalpo - a direct student of Gampopa. A number of early paintings are known that depict the feet of Drigung and Taglung teachers. Currently there are only about four paintings known - in the East or the West - depicting a Karmapa with footprints.
Handprints, placed solely as a blessing rather than as an object of worship or reverence, are also found on the reverse of many paintings.
Jeff Watt 11-2010 [updated 5-2017]