Himalayan Art Resources

Item: Hevajra (Buddhist Deity)

ཀྱེ་རྡོ་རྗེ། ནང་ལྷ། 喜金刚(佛教本尊)
(item no. 61312)
Origin Location Tibet
Date Range 1600 - 1699
Lineages Sakya and Buddhist
Material Ground Mineral Pigment, Fine Gold Line, Black Background on Cotton
Collection Private
Painting School Khyenri
Notes about the Central Figure

Classification: Deity

Interpretation / Description

Hevajra.

"...Shri Hevajra with a body blue in colour, eight faces, sixteen hands and four legs. The main face is blue, right white, left red, upper face smoky; the two remaining pairs of faces are black. Each face has three eyes and four bared fangs; yellow hair flowing upwards; the top of the head is marked with a vishvavajra. The sixteen hands hold sixteen skullcups. The first right holds a white elephant, the first left holds the yellow God of Earth; these two embrace the Mother. In the second right is a blue horse; third - ass with a white patch; fourth - yellow bull; fifth - ash-coloured camel; sixth - red man; seventh - blue sharabha; eighth - cat with a white patch. In the second left hand is the white God of Water; third - red God of Fire; fourth - green God of Air; fifth - white God of the Moon; sixth - red God of the Sun; seventh - blue Yama; eighth - yellow Holder of Wealth. Each head has a crown of five dry human skulls; and a necklace of fifty fresh heads; six bone ornaments; the two right legs are extended, on the thighs the toes of the two folded left legs are pressing in the half-[vajra] posture in a dancing manner; possessing the nine sentiments of dancing: grace, strength and ugliness; laughter, ferocity and frightful; compassion, fury and peace. In the lap is the mother Vajra Nairatmya, with a body blue in colour, one face, two hands, three eyes; yellow hair flowing upwards; right a curved knife, left holding a skullcup and embracing the father; five dry human skulls as a crown; a necklace of fifty dry [skulls]; five bone ornaments; left leg extended and the right drawn up embracing the father. Both are standing in the middle of a blazing fire of pristine awareness." (Ngagwang Legpa).

"...in the east black Gauri, right hand holding a curved knife, left a rohita fish; south red Chauri, right hand holding a damaru, left a pig; west yellow Vetali, right hand holding a tortoise, left a skullcup; north green Ghashmari, right hand holding a snake, left a skullcup; north-east blue Pukkashi, right hand holding a lion, left an axe; south-east white Shavari, right hand holding a monk, left a monk's staff; south-west purple Chandali, right hand holding a wheel, left a plough; north-west multi-coloured Dombini, right hand holding a vajra, left a wrathful gesture. Also, all have one face, two hands, three eyes and yellow hair flowing upward; naked, adorned with five ornaments of bone; a crown of five human skulls and a necklace of fifty skulls. With the left leg extended and the right in a half-lotus posture, in a dancing manner, they stand in the middle of a blazing fire of pristine awareness." (Konchog Lhundrub).

Jeff Watt 3-2000 [updated 5-2017]

The recent discovery of a separate portrait painting of Jamgon Amnyezhab (1597-1659) allows us to identify him as the donor figure in this painting. The date of this painting has been revised accordingly to the 1600s.

The selection of meditational deities is likely based on the personal deity practices of Amnyezhab. The reason Guru Dragpo is included for instance is because the Sakya Khon family preserves a lineage of a Guru Dragpo terma from Nyangral Nyima Ozer, the influential early Nyingma teacher.

Nick Dharmadi, [10-2026]

Secondary Images
Related Items
Thematic Sets
Buddhist Deity: Hevajra (Khyenri Style) Page
Buddhist Deity: Hevajra Painting & Textile (Masterworks)
Collection: Private 21
Painting Tradition: Khyenri Main Page
Painting Type: Black Ground Masterworks
Subject: Panjarnata Eight Deity (Sakya Atelier)
Painting Tradition: Khyenri, Black Ground