|Date Range||1400 - 1499|
|Lineages||Sakya, Ngor (Sakya) and Buddhist|
|Material||Ground Mineral Pigment on Cotton|
|Collection||Rubin Museum of Art|
Four Vajravali Mandalas: Vajradhatu, Shakya Simha, Bhutadamara and Marichi.
Vajravali, Ngor Mandala. (Tibetan: dor je treng wa): painting #13 from a set of fourteen paintings, with a possible fifteenth painting as the centerpiece, depicting the forty-two mandalas of the Vajravali Ritual text compiled by Abhayakaragupta in the 11th century. Currently only seven others from the set are known. The Guimet Museum in Paris (#2), the Kimball Museum in Texas (#14) and the Philadelphia Museum of Art (#5) each have one painting. The four remaining paintings are found in private collections in Europe and the USA (#7, #8, Kalachakra #11, Vairochana Manjuvajra #13 shown above). The Kimball Museum painting is the last in the sequence and portrays the last four mandalas of the Vajravali series as constructed by Ngorchen Kunga Zangpo.
The paintings were commissioned by Ngorchen Kunga Zangpo (1382-1456) between 1430 and 1456 to commemorate the passing of one of his principal spiritual teachers, Sazang Pagpa Shonnu Lodro (1358-1412/1424). The work was done at Ngor Monastery, Tsang Province, Tibet, by six Newar artists from Kathmandu Valley including the artist Wanguli and his brother.
The four mandalas pictured in this painting are: at the top left Vajradhatu fifty-three deity mandala (Vajravali #37 or #23), top right Navoshnisha Shakyasimha thirty-seven deity mandala (Vajravali #38 or #24), bottom left Bhutadamara Vajrapani thirty-three deity mandala (Vajravali #40 or #26), and bottom right Marichi twenty-five deity mandala (Vajravali #41 or #27).
The Philadelphia Museum of Art has another painting from a different Vajravali set but likely from the same atelier and time period titled Six Chakravartins as does the Freer Gallery of Art with a painting depicting four mandalas.
Also see: Sacred Visions, Early paintings from Central Tibet. Steven M. Kossak and Jane Casey Singer. The Metropolitan Museum of Art, 1998. (Exhibition web page).
Jeff Watt 3-2007
Front of Painting
English Translation of Inscription: [Top inscription] Vajravali painting thirteen.
Wylie Transliteration of Inscription: [Top inscription] rdo rje phreng wa'i ras bris bcu gsum.
Subject: Vajravali Painting Set Page
Tradition: Ngor Main Page (Sakya)
Buddhist Deity: Manjushri (Painting Masterworks)
Buddhist Deity: Marichi (Masterworks)
Mandala: Four Mandala Composition
Buddhist Deity: Vajrapani, Bhutadamara (Masterworks)
Buddhist Deity: Manjushri Main Page
Buddhist Deity: Marichi, Kalpoktam (Three Faces & Six Arms)
Collection of Rubin Museum: Mandala Masterworks
Tantra Classification: Charya Tantra Masterworks
Buddhist Deity: Vajrapani, Bhutadamara
Buddhist Deity: Vajrapani, Bhutadamara (Charya Tantra)
Buddhist Deity: Manjushri (Mandala)
Collection of RMA: Best of Collection 1
Collection of RMA: Painting Masterworks Page
Buddhist Deity: Manjushri Religious Context
Collection of Rubin Museum of Art: Subjects
Buddhist Deity: Marichi (Mandalas)
Collection of Rubin Museum of Art: Painting Gallery 4
Mandala: Shape, Form & Composition
Mandala: Masterworks Page
Collection of Rubin Museum of Art: Mandala
Collection of Rubin Museum (Interesting Mandalas)
RMA: How or Why an Object was Acquired
Collection of RMA: Ngor Style Paintings
Subject: Ngor Masterworks
Subject: Vajravali Main Page
Subject: Greyscale - Figurative & General Composition
Buddhist Deity: Marichi Main Page
Painting Style: Ngor Mandalas
Painting Set: Vajravali (Ngorchen Kunga Zangpo)