Lineage Paintings Main Page
Subjects, Topics & Types:
- Description (below)
- Incarnation (Tulku) Definition
- Outline Page
- Painting Sets Outline Page
- Incarnation Painting (Single Composition)
- Tulkus in Himalayan Art
- Tulkus & Animals
- Incarnation (Tulku) Publications: Introduction (Book Review)
A unique characteristic of Himalayan style art is the creation of painting and sculpture sets as a single large composition. A second unique feature of Himalayan art is the creation of Incarnation Lineage paintings and painting sets. The notion of the same recognized human or living entity, such as the Dalai Lama, knowingly inhabiting a series of bodies through numerous generations is unique to Tibetan and Himalayan Buddhism. Following from that, Incarnation Lineage paintings and sculpture sets are therefore a unique feature of Himalayan & Tibetan Style Art.
Tulku Incarnation Lineage Paintings & Sets:
- Changkya Rolpai Dorje
- Dalai Lama
- Desi Sanggye Gyatso
- Gyalwa Karmapa
- Jamgon Ameshab
- Jamyang Khyentse Wangpo
- Jonang Taranata, Complete Set
- Longdol Lama
- Panchen Lama
- Tai Situpa
- Tatsag (Kundeling)
- Wangdu Nyingpo
Fortunately for the purposes of study a number of the important incarnation lineages fall into natural groupings. The first group is concerned with those first recognized, or accepted, incarnate lamas of Tibet, commonly said to be Nyangral Nyima Ozer, Guru Chowang, Gyalwa Karmapa, and a few others. Within the over-all tradition of the Karmapas, the Karma Khamtsang Tradition of Tibetan Buddhism, there are also the incarnate lineages of Shamar, Gyaltsab, Nenang Pawo, Trehor, Karma Tinlepa and Tai Situ. These lineages of incarnation all belong to the same religious tradition and naturally form there own group. So far no painting or sculpture sets have been found that depict the two unique incarnation lineages of the Karma Tinlepa and the Trehor Tulku.
The second important group is that of the Dalai Lama, Panchen Lama and Desi Sanggye Gyatso. The foundations for these incarnation lineages were developed at the same time in the 17th century and seemingly as a coherent inter-connecting group of three with each incarnation in a generation relating directly with the other incarnations. Examples of this inter-relationship are the Panchen Lama pre-incarnation of Atisha and the Dalai Lama pre-incarnation of the student Dromton. At the time of the 4th Dalai Lama the Desi pre-incarnation was Altan Khan who first used and offered the title 'Dalai Lama.'
Another natural group related in life and in incarnation lineage is Jamyang Kyentse Wangpo and Jamgon Kongtrul Lodro Taye.
In each painting below the central figure is surrounded by his previous incarnations. The earliest of these pre-incarnations for each central subject is always an Indian Adept (mahasiddha), a great Worthy One (arhat), or a bodhisattva such as Maitreya. Each of these originating pre-incarnations is a direct student of the Buddha Shakyamuni. Sometimes there are competing systems for enumerating and naming the former births. One such notable figure that has two variant lists, or an abbreviated list and a long list, is the Panchen Lama of Tibet. The long list of Panchen Lama pre-incarnations includes Padmasambhava and Jowo Atisha. The Dalai Lama list includes King Trisong Detsen and Dromton. The 32nd Sakya Tridzin Wangdu Nyingpo also boasts Padmasambhava as a pre-incarnation and claims to be the 2nd Padmasambhava of this 'age.' Both the Gelug Longdol Lama and the Karma Kagyu Tai Situpa claim to have the pre-incarnations of both Dombi Heruka and Marpa Chokyi Lodro in common.
The incarnation lineages, names and groups of related figures discussed here are only those that have identifiable works of art depicting those individuals. There are hundreds of other incarnation lineages in Tibetan and Himalayan Buddhism. It is possible that many of the paintings of Lamas that are currently unidentified are actually incarnation lineage paintings.
Jeff Watt 6-2005 [Updated 1-2010, 8-2022]