|Date Range||1200 - 1299|
|Collection||Rubin Museum of Art|
Formal in appearance, the Buddha gazes forward with partially closed eyes and the blue-black hair on the head is piled in a tuft on top with a single gold ornament adorning the crown. Between the eyebrows is a white dot (urna) and adorning the neck are three curved horizontal lines. The earlobes are long and pierced. With the right arm bare the right hand is extended across the knee in the earth touching gesture (mudra). The left performs the gesture (mudra) of meditation - palm upward in the lap. Across the left shoulder is a saffron coloured patchwork robe. A similar lower garment is tied at the waist with a cloth belt. The legs are folded in vajra posture.
"Born in the Shakya race through skillful means and compassion; destroying the army of Mara who was unable to be destroyed by others; with a body radiant like a mountain of gold. Homage to you, King of Shakya." (Sakya liturgical verse).
A Buddha is known for having thirty-two major and eighty minor distinguishing physical characteristics (marks) based on the Indian cultural description of a Universal Monarch (Chakravartin) - the highest and most developed male form. Only a few of these 112 marks are depicted in art such as the ushnisha on the top of the head, the urnakesha between the eyes, three curved horizontal lines on the neck, a Dharma Wheel impression on the palms of the hands and soles of the feet.
This particular sculpture of Shakyamuni Buddha has some characteristics that are different from the more standard Himalayan and Tibetan examples. What is immediately apparent and unique are the small earrings and jewels. They look more like ribbons with a jewel attached. These are unusual adornments for any Nirmanakaya appearance Buddha, however, here they are identified and commonly associated with the artistic style prevalent during the period of the Kasa Malla Kingdom of West Nepal. A second unusual characteristic is the appearance of musculature on the shoulders, arms and the buttocks (when the object is seen from the back). Early Buddhist writings describing the physical appearance of the Buddha described the form as soft and supple. Once again, the aesthetics of form and beauty at the time of the Kasa Malla Kingdom preferred a more athletic physique with clear muscle tone and more defined body lines and curves.
Vajra Posture: a Buddhist term referring to a seated position where the feet are placed sole up on the thigh of the opposite leg; right over left. In the West this posture is almost universally referred to as the lotus posture because that is the name used by the major Hindu traditions and in Hatha Yoga, subjects which are generally more familiar to Western audiences. The location of the Buddha's enlightenment in India, now called Bodhgaya, is called Vajrasana in Buddhist literature. The posture the Buddha sat in while reaching enlightenment is the vajra posture, and the highest meditation (samadhi) that is accomplished on reaching Buddhahood, in this vajra location and seated in vajra posture, is vajra samadhi.
Jeff Watt 3-2006
Subject: Aphorisms for Himalayan Art & Iconography
Sculpture Main Page (Three-dimensional Art)
Shakyamuni Buddha: Types & Forms of Shakyamuni
Sculpture: Famous Works
Collection of Rubin Museum of Art: Sculpture Gallery II
Nepal: Kasa Malla Kingdom (Sculpture)
Sculpture: Figure Types, Subjects & Sets
Shakyamuni Buddha: Main Page
Collection of Rubin Museum of Art: Nepal
Subject: Three Eyed Deities
Collection of RMA: Best of Collection 1
Collection of RMA: Selected Sculpture
Collection of RMA: Sculpture - Iconic Masterworks
Region: Himalayan Art (All)