Yuan Period Art, Araniko School - Updated

The Araniko School Page of Yuan period art has been updated with additional content, images and links.
The Araniko School Page of Yuan period art has been updated with additional content, images and links.
The discussion of Yongle Textile Workshop objects has been translated into the Chinese language. The discussion primarily focusses on four textile objects and for who and when they were created.
A page for Achala Masterworks (Painting) has been added to the HAR site.
The Achala Masterworks (Sculpture) Page has been updated with additional images.
A gallery page for Vajrasattva Masterworks (Painting) Page has been has been added to the HAR site.
A Vajrasattva Masterworks (Sculpture) Page has been added.
A page for Vajrapani Masterworks (Painting) has been added.
The Vajrapani Masterworks (Sculpture) Page has been updated with additional images.
A gallery for Yuan Style Art specifically of the Araniko School has been added.
Araniko is primarily remembered for his architectural achievements and for the creation of sculptural objects. A painting of the Emperor and Empress are attributed to him. The two known remaining works generally agreed upon are the White Stupa in Beijing and the Stupa at Wutaishan Mountain.
The Vignantaka Main Page has been updated with additional images and content.
The Achala Main Page has been updated with additional content.
The White Achala Page has been updated with additional images and content.
A Chinese Language Translation for the Rakta Yamari textile (HAR #57041) has been added and linked to the appropriate related pages.
This textile composition of Rakta Yamari was made either as a set or a series of works created in the workshops of the Yongle Emperor most likely between 1416 and 1418. The other known works from the same time and atelier are a Chakrasamvara, Vajrabhairava and Panjara Mahakala.
The Kundeling Incarnation Lineage Page has been update with additional information.
These paintings depict both a central figure and architecture. None of the central figures are positively identified and not all of the architecture and cityscapes have been identified. The subjects of these paintings are a mystery.
These Two Mandala Compositions belong to a twelve painting set depicting all of the mandala subjects of the Sarvadurgati Parishodhana Tantra.
The Cityscapes, Monasteries & Pilgrimage Sites Page has been update. Also see the glossary for Monastery, Residence & Retreat Terminology.
A page containing all of the Nartang block prints depicting the Incarnation Lineage of the Dalai Lamas has been added. Some of the works are painted directly atop a block outline printed on cloth, others are traced and some appear to be free hand following the original Nartang composition set.
The Dalai Lama Incarnation Lineage Painting Sets Page has been updated with additional images and links.